Back in Black Tone Project Tag

02 Oct Angus Young’s Cabinets and Speakers

(please note: this post is a follow up on previous Marshall JMP 100).

Update as of Mon, Oct the 4th: our friend headwhop26 posted info from a reliable source stating the following:

The Youngs’ Marshall 4×12 cabinets have feature a range of Celestion speakers. Early on they were loaded with original G12M Greenbacks, or very often, the firmer, bolder, more efficient G12H-30s. Throughout the ’90s, the brother tended to use Celestions more contemporary Vintage 30 speaker, first in evidence on the 2000 album Stiff Upper Lip, although both have often returned to reissues of the G12H-30 and the Greenback in more recent years.

Update as of Sat Oct the 2nd: I have played more with the non slanted cabinet with the vintage 30s in, and – on closer listening and rather more in depth experimentation (volume at multiple levels, low and high pre-amp values, every possible turn of presence/bass/mid/treble) I have to say I am unimpressed (Back in Black wise!) with it. (more…)

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30 Sep God’s Gift to Rock: A Late ’70s Marshall JMP 100 Watt

(please note: this post is a follow up from a previous research: Angus Young’s Marshall Amplifier(s) & the “Back in Black Tone Project” )

EDITED: Members ROCKER and Sgace have helped me determine that this amp was NOT a super lead (NON master volume) but it was born as a Master Volume since its beginning. It was later modified as stated below. Have no idea of the differences yet 😛

So, it has arrived (for the record, this is a 1979 Marshall JMP 100w Lead). (more…)

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27 Sep Angus Young’s Marshall Amplifier(s) & the “Back in Black Tone Project”

Update of Mon, Oct the 4th: our own headwhop26 has posted info from a reliable source stating the following:

Angus has frequently recalled the use of a 100-watt late-60s Marshall JMP100 Super Lead amp with EL34 output tubes in the early days of the band, while Malcolm often played through a slightly earlier JTM100 Super Amp with KT66 output tubes, a late-’60s Super Bass with EL34 tubes, or a 100-watt Plexi Super Lead much like his brother’s”

“Angus also often records through the 100-watters, he has been known to use any of a range of several JTM45s. a JTM50, and a later JMP50 in the studio (the former with KT66s , the latter two with EL34s)”

“Angus has also taken to replicating his recorded lead tone live with a JTM45, which is sometimes miked through an isolation cab under the stage. (more…)

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31 Aug Recording “Back in Black” (the album): Interview(s) with Tony Platt

I’m seeing links disappear therefore for now, I’m posting “raw”, unfiltered and unprocessed (by me) data on the subject.

I’m posting the whole text here, then will provide the link(s) but not sure they exist all (i.e., clickbale).

I feel all of this information – already widely available on the net – has to be saved and stored for us. Recent re-reading of all of this on my behalf has brought me to new findings, namely, Tony Platt’s signal path for the Young brothers guitars on the Back in Black Album (guitars – Angus with a Schaffer-Vega Diversity System in lieu of a normal cable: it DID affect TONE!- , amps, mics, EQUALIZER and tape!) and his philosophy of recording those albums back then.

It’s a whole lotta reading, but I think you may be pleased.

Let’s start with a video interview to make it more pleasant (video courtesy of member Kirk2000: thanks Kirk!):

From: http://www.recordproduction.com/tony-platt-bigvid.html


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