Here to you, the second part (out of… X) of our “Studio Day” in Los Angeles, CA last August, following up on our first Test Driving A Schaffer Replica™ Pedal & A Rock N Roll Relics Angus Model: AC/DC’s “Sin City” where Billy Rowe of RockNrollRelics.net and myself “test drove” our respective pieces of equipment (his “Angus” model SG Standard modeled after a late ’60s Gibson SG Standard with some specific requirements by me, first and foremost being, my requirement for playability and ease of set up whereas often vintage Gibson SGs really demand a lot of work for a number of reasons). The Studio was Gilby Clarke‘s own home studio (beautiful!) in Los Angeles. I can not quite describe the feeling of being there while looking at some gold albums affixed on the walls… felt pretty weird. Gilby was terrific with us. Completely down to earth, colloquial (i.e., liked to speak to us), just a common “rock n roll guy” like us. Since he’s been friends with Billy for a long time (probably since the teenager years) this surely helped. (more…)
By SoloDallas (original article in Italian, translation by Robert Taylor – our own ar2619Rob – : Thank You, Rob!)
Similar to the hypnotic effect that AC/DC music had on me when I first heard it (it was the LIVE Album “If You Want Blood, You’ve Got It” and it was, I believe, 1979), as soon as I set eyes on the photos of Angus Young embracing his Gibson SG, it was love at first sight, and certainly “Love at first Feel”. It’s a love that has continued to grow for about thirty years (even considering that I’ve tried far too many brands and models of guitars) the Gibson SG of the late ’60s has never left my mind since then.