06 Oct Tone Tips And Tricks For The Marshall Super Lead (By David Szabados)

While I have NO idea who in the world David Szabados is, reading this was useful and made sense. Many things I knew already, others I didn’t. The more info the better, agreed?

Tone Tips And Tricks For The Marshall Super Lead
David Szabados

The following tips and tricks will enable you to get much more versatility out of the Super Lead. Some of these may even surprise you. One thing to note – NONE of these involve modification to the original Marshall circuit. Those looking for the true “Marshall” sound only need use an original, unmodified Super Lead.
Channel Switching and Linking (more…)

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01 Oct Dickie Betts’ (Allman Brothers’) “Jessica” Video Lesson

We are classic rock oriented folks right? Right. So we enjoy these (right, Fil).

More so, this video is inspiring and rewarding for a specific reason: Dickie Betts’ moves. I could connect with him immediately.

As he plays, he moves across, sideways, everywhere. Watch him.

Watch him strive for timing and touch.
That is a necessity for good players. You start feeling it inside.


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08 Sep Some rational facts about String Gauges

The following article was first published on Strung Out? Fret Not! and has been reproduced here by kind permission of the original author.

Tonal Considerations

Subjectively, higher string gauges will result in a “thicker”, “fatter” or “louder” tone, while lighter string gauges will result in a “thinner”, “brittle” or “weak” tone. While there is much truth in those statements, overall there are other, more important factors that affect tone than string gauge alone. Very discerning/experienced guitarists choose different string gauges for different amps and guitars as it is usually the interaction of all components in the set-up that results in their tone. (more…)

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27 Aug AC/DC Tone: a continuos search. Part 1, Eleven Rack attempts

UPDATE: I changed a lot on this patch, after listening to it I think it sucked majorly. Lack of higher frequencies and not enough “middle crunch”.

Here it is to you again with a few changes. The equalization curve is VERY important, even for YOUR setup!

Please listen to the clip.

Yes I know, all of us are striving to achieve AC/DC tone or for that matter, classic rock tone.

Therefore, please give it a listen before you continue reading (soundpatch version 2.0):

Angus Tone on Back in Black from SoloDallas – Attempt

Since this is an extremely long subject that I intend to treat as in depth as humanly possible (many, many considerations are needed here) I will just narrow the matter here and just talk about my current settings on the Eleven Rack (a piece of hardware built into a rack shape by Digidesign – Avid Digital – that “models” guitar recording) to achieve decent AC/DC (Angus’, but it could apply to Malcolm’s as well) tone. (more…)

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13 Aug Angus Young Guitars (updated)

By SoloDallas (original article in Italian, translation by Robert Taylor – our own ar2619Rob – : Thank You, Rob!)

Similar to the hypnotic effect that AC/DC music had on me when I first heard it (it was the LIVE Album “If You Want Blood, You’ve Got It” and it was, I believe, 1979), as soon as I set eyes on the photos of Angus Young embracing his Gibson SG, it was love at first sight, and certainly “Love at first Feel”. It’s a love that has continued to grow for about thirty years (even considering that I’ve tried far too many brands and models of guitars) the Gibson SG of the late ’60s has never left my mind since then.


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