Audio from video camera.
I hadn’t realized I left a bunch of Italian speaking in it. What I am saying? I am saying, “despite these ones are reputed more vulgar by the collectors, these are instead great guitars”.
Warning: video camera audio
Still camera audio. Rather than having you waiting a month, I’d rather put it up now. Because the mixing of the three microphones tracks in protools, video sync and all takes more time.
Warning: the audio here was directly from the video camera, a Canon 5D Mk II.
Although slightly distorted, this audio still represents the actual sound and tone I was getting in the room (along with its distortion).
Update of Mon, Oct the 4th: our own headwhop26 has posted info from a reliable source stating the following:
Angus has frequently recalled the use of a 100-watt late-60s Marshall JMP100 Super Lead amp with EL34 output tubes in the early days of the band, while Malcolm often played through a slightly earlier JTM100 Super Amp with KT66 output tubes, a late-’60s Super Bass with EL34 tubes, or a 100-watt Plexi Super Lead much like his brother’s”
“Angus also often records through the 100-watters, he has been known to use any of a range of several JTM45s. a JTM50, and a later JMP50 in the studio (the former with KT66s , the latter two with EL34s)”
“Angus has also taken to replicating his recorded lead tone live with a JTM45, which is sometimes miked through an isolation cab under the stage. (more…)
(thanks Planks for uploading the image)
and video interview: here
What. Sorry? Didn’t hear you well. What is it? You think it’s horrible looking? I hear you. I know. Most of the interwebz find this item horrible looking. But don’t mind me, I’m a freak of nature: I LOVE how it looks. And how it feels. And how it plays.
I think contemporary Gibson production is doing really good things. There, I said it. Kill me now.
Jokes apart, this guitar is really unique. “Only” 1000 were made, and this is number xxxxxx. (more…)