20 Oct 1973 1960B G12H30s And Some Boogie
Update: Adding Simone’s song backing track:
Update: adding another little thing I did for the wife’s birthday (next sunday). Used the ’50s Les Paul for all of it, and the Gibson “Dusk Tiger” for the acustic parts (piezo only).
I remember many times people asking me what were my originals like. This is what I have in mind usually.
Okay, it’s here. The cabinet I mean. That one that I said I had gotten because of the G12H30s. To close the circle that is, or at least, try.
So here’s what it looks like on top of my other 1960B now loaded with 1977 G12Ms “blackbacks”. The other cabinet, with the sand cloth is behind. I still love that one the most probably, especially for older AC/DC.
HOWEVER, G12H30s seem to be magnificent too, and there must be something AC/DC-ish in them. Must have been used somewhere, somehow. Too soon for me to say, will have to experiment (and I think you know I will).
I would do this as a job. To sit here in this little room of goodies and be always here on solodallas.com. Will see what the future brings.
Room how it is now:
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(Top: 1973 1960B G12H30s; Bottom: 1960B 1977 G12Ms “blackbacks” – they say it’s the same as the greenbacks)
And finally, while fixing this messy room, a picture of how I record at times and the mike (AT4047):
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As you can see, when on its support it can’t be pushed all the way towards the cloth/speaker. It’s rather centered, but loads of experimentation (and actual recordings) are done with these microphones OFF axis (it’s on axis in the above picture). Still haven’t found the time to go and get the second XLR cable for the other microphone, would you believe it? Sigh. With two microphones I should be able to pull even further tones, like they did and do with AC/DC (and loads of other bands, just common technique).
It seems that for rhythm guitar the microphone should be touching the cloth, attached to it. While for solos, I read that it would be better to leave some room in between. We’ll find out.
Took the time to do a little “boogie” for ya. It’s played with the ’67 (new strings), all of it. I did equalize the guitars, so it’s too soon for you to try and assess which is which.
I will – however – do a clean recording of guitars alone, with the different cabinets, no equalization, same settings and all. It will be “the mother of all cabinet comparisons” (laughs).
and naturally, the backing track.
adam10603Posted at 19:03h, 30 October
I just made a little demo of my 5W tube amp with those greenback reissues – as I promised. Please take a listen, Fil! 🙂
I played both the rhythm and lead parts on my SG copy guitar (but it’s a pretty nice quality guitar, it sounds fantastic). I only had a cheap chinese mic, but I still could get satisfying tones. What do you think? It’s damn vintage AC/DC IMO. 🙂 A little monster.
adam10603Posted at 19:05h, 30 October
by the way, I made a “live version” too (laughs). I put some reverb and audience noise (from IYWB) underneath it. 😀 just for fun
adam10603Posted at 19:06h, 30 October
you can find it among my sounds on soundcloud
KinglancePosted at 17:00h, 29 October
I love the bass-part a lot! Only three instruments: guitar, bass, drum… But they are doing already something very beautifull!
RiffRaffPosted at 14:58h, 29 October
Is there any chance to download the songs (not only backingtrack)? I think they rock.
SoloDallasPosted at 15:00h, 29 October
Thanks mater. Well actually they are intended to be dowloaded: did you try with firefox? You should see a pop down that allows you to download
RiffRaffPosted at 13:06h, 30 October
Thanks. (downloaded Firefox downloadhelper and it worked)