Dear Rocking Friends,
Every one of us has a dream. A gear-related dream, to be precise. A Marshall Super Lead maybe? I think I just said something magical there. But you know, you don’t have to have that kind of equipment to achieve (or at least approximate) the tone you’ve always been dreaming about, as I shall demonstrate with this post. Now to be clear, the aim of this writing is not to say that expensive gear can be replaced, but rather to show you that you can squeeze out a somewhat decent tone – something you didn’t quite expect – even from cheaper gear. To sum this up in a sentence:You don’t know
So let’s jump straight into the setup I have for this demo:
Nothing quite special as you can see, it’s a very straight-forward setup. The only thing I did to the recording you’re about to hear, is that I applied some reverb via software. Other than that, this recording is raw, and has not been enhanced in any way. Have a good listen:
One thing to keep in mind while listening to this, is that the MS-4 has very tiny 3″ speakers inside of a plastic cabinet that barely has any air in it. This is the reason for the boxy sound, and the lack of bass. But once you get over that, it sounds very decent, especially the Rock and Roll Ain’t Noise Pollution part! That one sounds frighteningly close to the original in my opinion.
Now let’s take this experiment a little further – in case you’re not impressed already. I added the following items to the rig:
In order to plug the MS-4 into the external cabinet, a modification is required to the amp. This consists of bypassing a resistor inside the amp that limits the output signal to headphone levels. After that is done, the headphone jack now becomes a speaker output jack – but make sure you don’t plug any headphone into it anymore! If you need exact instructions on how to do this, please let me know in the comments.
So after the amp was prepared, I hooked up everything, and I was very impressed by the results. The amp sounded surprisingly dynamic, lively, rich in harmonics, and enjoyable. I even managed to get a nice sustained feedback! I mic’d up the cab to make a second recording, here it is:
Now let me ask you something at this point. Could you possibly tell (without reading the article) that the amp used in the recording is a $50 1W solid-state pocket amp? If this was a blindfold test, I guess you would bet for something way more expensive, wouldn’t you? That’s fine though, I would do the same 😆
Before ending this article, let me address one more thing… The whole point of this article is to give you an idea on how to get a better tone from your existing gear. The answer is very simple: take your time! When you’re setting up your amp, miking your cab, or even just setting the knobs on your stomp boxes, remember this: if you think you’re done after a couple of minutes, you’re not!
Let’s say you’re miking up your cab. What you shouldn’t do is to try out a few major mic positions, and pick what sounds the best for you, or either use a position that you used earlier. In many cases, tiny adjustments (I’m talking about millimeters here) can make a world of difference. When I mic up my guitar cab, I usually spend at least about 30 minutes setting up the mic position every time. Even if I marked a previously used mic position with duct tape on the cabinet, I only use that as a starting point. You should always absolutely geek out every possibility before recording. I find that spending extra time on the setup after you think it’s perfect is almost always beneficial. Of course the same rules apply to all the setup that’s required for playing, and not just miking.
Another very important thing is that you should always think of your whole rig (from your hands all the way to the speakers) as one big instrument! I cannot emphasize this enough. You’re not only playing the guitar, and having an amp that only makes it louder. The whole rig is one big instrument, but most importantly an instrument that has soul (not literally of course). Every piece in the rig is equally important. You have to spend time with your gear getting to know it, thus being able to use what is has to your advantage. A good rig is not just something you play on; it’s something that helps you expressing yourself, and also makes you feel good doing it!
I hope you find my thoughts useful, and will benefit greatly from them, just as I did. As the title says: never underrate your equipment!
Finally, here are a few pictures I took during the recording session:
Have a good day!
It was several years ago (5 probably) that Gabriele and I met “online”, both passionate about AC/DC as we have always been since an early age.
And it had been years that we wanted to do some jamming together, so he took the chance and came to Rome – he’s from Milan – and stayed a couple days at my place. In probably 1 hour we had setup my living room (it’s a beautiful, long and bright room with wooden floors) with a couple of Wizards, older Marshall cabinets (his has G12H30s, mine cross G12-65s & G12Ms, all from the 1970s) and two Audio Technica AT4047s connected to my Mac Book laptop, recording with Audacity. We improvised probably 5 or 6 AC/DC tunes among the many (I believe almost all) that we know, but we only used the backing tracks on a couple of songs and one is the one you see here (second one to be published next week).
Well, I was talking over the phone with my long time Italian-Canadian friend “Max” (he’s a member here too). Max has lived for decades with a 1959 replacing his own heart. (more…)
Okay, so the moment has come. One of the reasons I did this blog thing, was for this: tutorials.
Let’s concentrate from now on and for a good while, on AC/DC (tutorials-wise, I mean), “heroes” of Rock and Roll for many of us here. Will also do some other bands as time goes by.
As it was for my very first tutorial I did on YouTube, “Back in Black” was first, and I wanted to replicate this also here. (more…)
Update: Our Own NitroAngus23 has pointed out to us that a brief article has been published on the official AC/DC site. Without permission, I am reposting here:
AC/DC Trivia: Angus Goes Wireless!
In this issue of Premier Guitar, Platt is interviewed again regarding the techniques used for recording Back in Black,
i.e the whole album.
It’s no surprise then that this album, still increasing in sales, is now the second highest selling album in history. That fact in itself tells us several things: not only is it preparing itself to break that record but it may also be considered (as I do, and I have done for years) the most sold album of all time, not only in rock music, but across all genres: out-selling The Beatles, Michael Jackson “Jacko”, etc.
Confirmation surely, that the band was and still is a great band (more…)